International Composition Competition – “Città di Udine”

Taukay music publishing company is proud to announce new projects associated with the International Composition Competition “Città di Udine”. The winning compositions and finalists’ works will be performed publicly and we will produce a CD of the live performance.
Additionally, we are working to select some of the submitted compositions to be used in a collaboration with the contemporary dance company Arearea. Our goal is to give more space to contemporary music and to its interaction with other performing arts.

Rules and conditions of the international composition competition “Città di Udine” (eleventh edition) are online on Taukay’s website.

Submissions are being accepted in two categories:
– compositions for chamber instrumental group or solo instrument
– electroacoustic music.

Deadline: March 31th 2016

More info on: www.taukay.it
Contacts: competition@taukay.it

2016 NZSO Todd Corporation Young Composers Award

Entries are now open for the 2016 NZSO Todd Corporation Young Composers Award

Now in its twelth year, the NZSO Todd Corporation Young Composers Awards is an exciting opportunity for young New Zealand composers to have their work recorded by the NZSO over a three-day residency.

Submitted works are assessed by a panel of industry professionals, and those selected for the awards will be flown to, and accommodated in Wellington for the duration of the recordings and awards. The students selected are given the opportunity to receive mentoring from an established New Zealand composer and will also participate in industry seminars and instrument workshops. The best overall composition will win the NZSO Todd Corporation Young Composers Award. The composer receives a cash award of $750.

CONDITIONS OF ENTRY

  • Entrants must be a New Zealand resident or citizen
  • Composers must be 25 years of age or younger as of 1 December 2016
  • Maximum duration of 5 minutes
  • Work to be for full symphony orchestra without soloists
  • Maximum instrumentation is as follows: 3333 4331 timpani +2 percussion harp strings (including the following woodwind auxiliary instruments: piccolo, cor anglais, bass clarinet and contrabassoon).
  • One entry per person
  • All entries must be accompanied by a completed application form, which can be downloaded from the NZSO website. All entries must be submitted as digital PDFs.
  • Applications should also be accompanied by a short composer biography, as well as programme notes for the work. All of this information should be provided in the score file.
  • A complete and accurate instrumentation listing must be provided at the beginning of the score as well as the duration.
  • Ornaments and trills should be clear and written out if appropriate.
  • Scores should be legible with clear time signatures and even spacing throughout. Translations of any non-standard terms should be provided in the score.
  • Percussion parts should be set out in stations.
  • Composers should note that if used, any non-standard items such as string practice mutes will need to be provided by the composer.
  • NZSO reserve the right to ask composers to revisit any composition that includes extended techniques that may damage instruments.
  • Revisions to the submitted score won’t be accepted.

IMPORTANT DATES
Mon 2 May 2016 Deadline for applications
Mon 6 June 2016 Applicants informed of panels decision
Mon 4 July 2016 Deadline for providing parts to the Library
Tue 29 Nov – Thurs 1 Dec 2016 Residency in Wellington

https://www.nzso.co.nz/education/young-originals/for-composers/young-composer-awards/

APRA AMCOS launches Art Music Fund

In recognition of the limited opportunities for art music composers to have their works performed, APRA AMCOS has initiated the Art Music Fund.

Australian and New Zealand composers are now invited to apply for a grant from a total pool of AUD$100,000. The funding is available for the creation of commissioned work that is complemented by an exploitation program – designed to maximise the life of the work.

It is expected that composers will collaborate with ensembles, orchestras, producers, recording companies, broadcasters, festivals and other parties to propose the writing of a work that will be guaranteed multiple exposures by way of performances, recordings, broadcasts or digital dissemination.

See APRA’s announcement for full details.